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While there was a substantial formalist reaction within the modernist schools to the breakdown of structure, this reaction focused as much on the development of new formal structures and syntheses as on the revival of older forms and structures.
Recently, postmodernism has come to convey more completely prose and poetry as distinct entities, and also among genres of poetry, as having meaning only as cultural artifacts.
Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from more objectively informative, prosaic forms of writing.
Poetry uses forms and conventions to suggest differential interpretation to words, or to evoke emotive responses.
This "romantic" approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic.
Tonal languages include Chinese, Vietnamese and most Subsaharan languages.
Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey.
Ancient attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song and comedy.
Much modern poetry reflects a critique of poetic tradition, Other ancient epic poetry includes the Greek epics, the Iliad and the Odyssey; the Avestan books, the Gathic Avesta and the Yasna; the Roman national epic, Virgil's Aeneid; and the Indian epics, the Ramayana and the Mahabharata.
Epic poetry, including the Odyssey, the Gathas, and the Indian Vedas, appears to have been composed in poetic form as an aid to memorization and oral transmission, in prehistoric and ancient societies.